<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://ada.cinepoetics.org/ontology/2021/05/19/FreeTextAnnotationType> .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://www.w3.org/2000/01/rdf-schema#label> "Einstellung"@de .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://www.w3.org/2002/07/owl#NamedIndividual> .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://www.w3.org/2000/01/rdf-schema#label> "Shot"@en .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://www.w3.org/2000/01/rdf-schema#comment> "A shot of a film is a perceivable continuous image and is bound by a \"discontinuation of the entire composition\" (Fuxjäger: Wenn Filmwissenschaftler versuchen, sich Maschinen verständlich zu machen, 2009, own translation). In this annotation type, all shots of a film are numbered sequentially."@en .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://ada.cinepoetics.org/ontology/2021/05/19/sequentialNumber> "51" .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://ada.cinepoetics.org/ontology/2021/05/19/prefixedLabel> "Montg | Shot" .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://ada.cinepoetics.org/ontology/2021/05/19/AnnotationType> .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://ada.cinepoetics.org/ontology/2021/05/19/adveneColorCode> "#00d5ff" .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://ada.cinepoetics.org/ontology/2021/05/19/belongsToLevel> <http://ada.cinepoetics.org/resource/2021/05/19/AnnotationLevel/Montage> .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://www.w3.org/2000/01/rdf-schema#comment> "Die Einstellung eines Films wird als Eindruck eines visuell kontinuierlichen Bildes verstanden und wird durch eine \"visuelle Diskontinuität im gesamten Bildaufbau\" begrenzt. (Fuxjäger: Wenn Filmwissenschaftler versuchen, sich Maschinen verständlich zu machen, 2009). In diesem Annotationstyp werden alle Einstellungen eines Films sequentiell nummeriert."@de .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://ada.cinepoetics.org/ontology/2021/05/19/AdaCorpusAnalysis> .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/Shot> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://ada.cinepoetics.org/ontology/2021/05/19/SingleValueAnnotationType> .