<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/DominantAcousticLevel_language> <http://ada.cinepoetics.org/ontology/2021/05/19/sequentialNumber> "21" .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/DominantAcousticLevel_language> <http://ada.cinepoetics.org/ontology/2021/05/19/belongsToType> <http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/DominantAcousticLevel> .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/DominantAcousticLevel_language> <http://www.w3.org/2000/01/rdf-schema#comment> "The acoustic perception is dominated by voices and voice-like sounds, which seem to be coordinated in such a way as to create a perceptible meaning – this also refers to foreign or fantasy languages."@en .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/DominantAcousticLevel_language> <http://www.w3.org/2000/01/rdf-schema#comment> "Die akustische Wahrnehmung wird von Stimmen und stimmartigen Klängen dominiert, die sinnhaft koordiniert wirken – d.h. auch Fremd- oder Phantasie-Sprachen zählen dazu."@de .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/DominantAcousticLevel_language> <http://www.w3.org/2000/01/rdf-schema#label> "language"@en .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/DominantAcousticLevel_language> <http://www.w3.org/2000/01/rdf-schema#label> "Sprache"@de .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/DominantAcousticLevel_language> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://ada.cinepoetics.org/ontology/2021/05/19/AnnotationValue> .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/DominantAcousticLevel_language> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://www.w3.org/2002/07/owl#NamedIndividual> .