<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/MontageFigureMicro_cut_in> <http://ada.cinepoetics.org/ontology/2021/05/19/sequentialNumber> "326" .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/MontageFigureMicro_cut_in> <http://ada.cinepoetics.org/ontology/2021/05/19/belongsToType> <http://ada.cinepoetics.org/resource/2021/05/19/AnnotationType/MontageFigureMicro> .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/MontageFigureMicro_cut_in> <http://www.w3.org/2000/01/rdf-schema#comment> "Two successive shots are taken from approximately the same perspective, only the second seems much closer."@en .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/MontageFigureMicro_cut_in> <http://www.w3.org/2000/01/rdf-schema#comment> "Zwei aufeinander folgende Einstellungen sind aus ungefähr der gleichen Perspektive aufgenommen, bloß scheint die zweite deutlich näher."@de .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/MontageFigureMicro_cut_in> <http://www.w3.org/2000/01/rdf-schema#label> "cut in"@en .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/MontageFigureMicro_cut_in> <http://www.w3.org/2000/01/rdf-schema#label> "Heransprung"@de .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/MontageFigureMicro_cut_in> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://ada.cinepoetics.org/ontology/2021/05/19/AnnotationValue> .
<http://ada.cinepoetics.org/resource/2021/05/19/AnnotationValue/MontageFigureMicro_cut_in> <http://www.w3.org/1999/02/22-rdf-syntax-ns#type> <http://www.w3.org/2002/07/owl#NamedIndividual> .